2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 12322 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
-
베트남산 비단뱀 기타 2
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Guitarlele
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질문염... 옆뒤판을 마호가니로 만들면 로즈우드하고 음색이 어떤 차이가 있을까요?
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질문..스프루스기타에 대해서 질문있습니다..
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튜닝팩이 문제인가, 아니면 기타가??? 앙~도와주세용^^**
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소리가 트인다는게...어떤거죠??
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라미레스 4e를 쳐보고...
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뭰히 길들이기...
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Dominique Field를 아시나요???
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질문입니다. 항공이 타원형이라면...
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연주회 포스터할만한 사진이나 그림 없을까여?
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[re] 연주회 포스터할만한 사진이나 그림 없을까여?
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John Gilbert의 제자의 홈페이지(그런대로 재밌습당)
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양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
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[기사] 북한의 기타.
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습도에 따른 기타바디의 변형...
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만화속 기타이야기.
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[정보] 기타용 댐핏에 대하여....
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세르게이 디용의 기타...캐나다 토론토....2000.
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뭰히 길들이기 II
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[질문]락커칠 기타 앞판에 대해서???
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기타의 6번줄 변칙튜닝에 대해..
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이런 기타 있었으면 좋겠어요.
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일렉트릭 베이스 기타에 쓰이는 나무랑.. 몇가지 이론들이여. 읽어보시면 잼있어요^^
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상현주가 쇠라면??? 플렛이 뼈라면???
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아래글 도움 될만한 사진 몇개여..(쓰루넥방식의 베이스)
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소리, 연주자에 의해 좌우된다.스트라디바리우스와 현대 바이올린, 그 차이점은 무었인가?
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go classic 에서 퍼온글입니다..
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조율에 따라서 음정이 뭉게지는데...
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담만을 쳐보다...
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디..
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[re] 디용(dyen)을 연주해보셨구낭....
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담만류의 2중판은
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[re] 디용(dyen)을 연주해보셨구낭....
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롤프 아이힝어에 대해....
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피치가 완벽한 기타는?
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[아랑] 진지하게 논의해 봅시다........아우쎌이 지적한 스프러스와 시더의 음색
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일단 이 말이 타당성이 있나요?
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[re] 바로크와 스프러스!!
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예민한 기타? 멍청한 기타?
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[re] 우리나라 나무사정
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한번 더 게겨봅니당---인조손톱!!!
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인조손톱하면...네일아트에서 사용하는 플라스틱손톱
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시더와 스프루스의 조합은 불가능???
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[사진] Guitar 스트링 묶는법 (by Martin)
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진지선생이 만든 기타...
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좀 허접 스럽지만 경험에서 나온 조언들입니당. ^^
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[re]흑!!!... 뭘 해도 안된당...
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.
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http://www.lmii.com
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기타에서 부채살은 무슨 역할을 하나요?
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수님쇠줄기타도만들어주실수있나요
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프렛방식의 상현주---아벨가르시아.
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[re] -클래식기타의 모습을 한 스틸스트링기타를 만들수 있나요?
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www.acousticgt.com
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8현기타는 기타의 진보된 형태다?
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[re] 8현기타는 기타의 진보된 형태다?
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질문 한가지 드립니다.
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손톱이 약해서 쉽게 뿌러 지시는 분들........
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[re] 손톱이 약해서 쉽게 뿌러 지시는 분들........
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수님의 말대로... 샤콘느현이 변할까..?
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기타가...목청이 하루만에???
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적당한 습도와 황홀한 경험.
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통이 이상하게 부풀어져 있는데여...
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겨울과 기타
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세상에서 젤로 비싼기타가 모예요? 엄마가 하나사준데여...
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야이리 기타를 사려고 하는데요..
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야이리 기타를 구입했어요^^*
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측후판
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기타만드는 나무는 나무의꿈 게시판에 있어요.
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[re] 측후판(하카란다는 브라질리안 로즈우드에요 ^^;;;)
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신이치가 쓰는 기타.. 뭔지 아세여? 저번 대성당이랑.. 대서곡친 그 기타..
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연주시의 기타 지지도구(Guitar Supporting System)
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EFEL에 관한 보충
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부쉐 플랜에는 뭔가 특별한 것이 있나용???--수님???
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Angel Benito Aguado--Guitarra Romantica...
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[re] 8현기타는 기타의 진보된 형태다?
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11현 기타의 조율...진철호님의 글에서 퍼왔습니다.
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Jeffrey R. Elliott의 기타내부.
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Ian Kneipp guitar
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특이한 넥 조인트....
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여름철 기타 관리 요령...
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Antonio Picado - Model 49
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[사진] Antonio Picado - Model 49
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[사진] Antonio Picado - Model 49
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French polishing에 대한 설명...
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[re] 그러나 스프러스를 사랑할수 밖에 없는 이유..
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6번현보다 5번현 소리가 특히 큰데....~
Date2002.03.27 By으랏차차 Views11048 -
앞판칠을 셸락으로 바꾸면?
Date2002.04.17 By으랏차차 Views11297 -
기타 관리
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기타넥의 휨에 대하여...
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야마하 대나무 기타..
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류트의 종류 (1), 아첼루토(Arciliuto) & 테오르베(Teorbe)
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스페인 마드리드에세 제작된 기타이름....
Date2002.04.25 By수 Views11271 -
제 기타 사진입니다.
Date2002.05.13 By木香 Views12341 -
[re] 디지탈 카메라....
Date2002.05.13 By木香 Views11799 -
이병우씨가 아끼는 기타라던데...
Date2002.05.16 By木香 Views13515 -
Frameworks-Guitars...
Date2002.05.18 By간절한 Views11916
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