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8.557295 Guitar Music from Brazil

MARCO PEREIRA
Pixaim
01. Pixaim 03:20

JOAO PERNAMBUCO
Sons de Carilhoes (Sound of Bells)
02. Sons de Carilhoes (Sound of Bells) 02:28


Grauna (Blackbird)
03. Grauna (Blackbird) 02:55

MARCO PEREIRA
Plainte (Lamento)
04. Plainte (Lamento) 03:06


Num pagode em Planaltina (Gathering in Planaltina)
05. Num pagode em Planaltina 04:43

ANTONIO CARLOS JOBIM
Luiza
06. Luiza 03:27


Garota de Ipanema (Girl from Ipanema)
07. Garota de Ipanema (Girl from Ipanema) 02:58

LUIS BONFA
Manha de Carnaval (Morning of the Carnival)
08. Manha de Carnaval (Morning of the Carnival) 03:22

SERGIO ASSAD
Aquarelle
09. I. Divertimiento 07:32

10. II. Valseana 02:57

11. III. Preludio e Toccatina 02:57

RAFAEL RABELLO
Sete Cordas (Seven Strings)
12. Sete Cordas (Seven Strings) 05:16

MARCO PEREIRA
O Choro de Juliana (Juliana's Choro)
13. O Choro de Juliana 03:02

EGBERTO GISMONTI
Agua e Vinho (Water and Wine)
14. Agua e Vinho (Water and Wine) 05:24

JOAO PERNAMBUCO
Po de Mico (Itching Powder)
15. Po de Mico (Itching Powder) 02:59

HEITOR VILLA-LOBOS
Forests of the Amazon: Sentimental Melody
16. Forests of the Amazon: Sentimental Melody 04:20

RONALDO MIRANDA
Appassionata
17. Appassionata 07:49


Graham Anthony Devine, guitar


GRAHAM ANTHONY DEVINE

Graham Anthony Devine was born in England and began his musical studies at Chetham뭩 School of Music in Manchester with Gordon Crosskey. He moved to Brazil in his teens and became an established performer and teacher there, giving many recitals and masterclasses throughout South America. He is a laureate of many international guitar competitions in Europe and the United States and in 2002 he won first prize at the prestigious Alhambra International Guitar Competition heldin Alcoy, Spain. He repeated this success by winning first prize at the Emilio Pujol International Guitar Competition in Italy in the same year. He has performed in more than twenty countries in solo recital performances and as soloist with orchestra, and has appeared many times on television and radio throughout Europe and South America. His growing reputation as one of today뭩 very best young guitarists is being rewarded with an ever-increasing worldwide concert and masterclass schedule.

Guitar Music from Brazil

The guitar has played a major part in the evolution of Brazilian music, especially throughout the twentieth century. As in Spain, the guitar is Brazil’s national instrument and is still the primary instrument used by many of Brazil’s most famous singer/songwriters of today, such as Gilberto Gil, Caetano Veloso, Chico Buarque, Milton Nascimento, João Bosco and others. Most students of the classical guitar come across Brazilian music sooner or later during their studies. Many fall under the spell of its unique charm and beauty.

Marco Pereira is today one of Brazil’s most important guitarist composers. As a performer he has played all over the world and his many compositions for guitar reflect the diverse rhythms and musical forms found in Brazil. Pixaim, which opens this recording, is a type of Frevo, a quite fast and rhythmic dance normally played by small orchestras with brass and percussion instruments. The dance originates from the North-East of Brazil and can especially be heard during Carnival time in places such as Recife and Olinda.

Plainte-Lamento is a beautiful and simple piece composed in the style of the Brazilian waltz. Num pagode em Planatina is a homage to the great singer/songwriter and guitarist, João Bosco. Planaltina is a small town in Brazil and pagode a kind of gathering where people meet to sing and dance mainly samba variants. Pereira captures brilliantly Bosco’s unique guitaristic style with string slaps, rhythmic taps and strummed chords.

The Brazilian Chôro form dates back to the late 1800s. A type of ensemble consisting of guitar, cavaquinho (a small guitar-shaped high-pitched instrument) and flute, would come together to play tangos, waltzes and polkas. Eventually the Chôro was born from these meetings. For a long time it was considered the music of the lower middle-class and was rarely accepted by the ruling classes. The Chôro, however, continued to develop and became very popular during the early years of the twentieth century.

One of Brazil’s Chôro pioneers was the guitarist João Pernambuco (1983-1947). He earned his living as an ironworker, but he was also an exceptional musician. His Sons de Carilhôes (Sound of Bells) is a Chôro that guitarists know and play throughout the world. I have included two more of his compositions on this recording, the cheeky Grauna (Blackbird) and Po de Mico, that literally translates as “itching powder”.

Born in Rio de Janeiro, Antonio Carlos Jobim (Tom Jobim) (1927-1994) was a founder of the Bossa Nova movement. His best known song must be Garota de Ipanema (Girl from Ipanema). Throughout his career Jobim wrote many wonderful compositions and classic songs. One of the most beautiful pieces is called Luiza, arranged here for solo guitar by Marco Pereira.

Luis Bonfa (1922-2001), like Jobim, was responsible for bringing Bossa Nova to the masses. A talented guitarist and composer, he first became famous for his song Manhã de Carnaval, composed for the film Orfeu Negro (Black Orpheus).

Sergio Assad and his brother, Odair, form the brilliant guitar duo, Duo Assad. In recent years Sergio has devoted more time to composition. Aquarelle was written in 1986 for the famous Scottish guitarist, David Russell. The first movement, Divertimiento, is based on a three-note motif (D - B flat - C) heard at the beginning of the piece. This motif is heard throughout various registers as this movement develops. The middle movement, Valseana, is an inspired, beautiful melody that leads way to the Preludio e Tocatina. After the initial dreamy Preludio there follows a furiously fast and exciting Toccata that closes this piece.

Raphael Rabello (1962-1995) was a wonderful guitarist with extraordinary technical abilities. During his tragically short life (he was just 33 years old when he died), he achieved world-wide recognition. His composition Sete Cordas (Seven Strings) is a haunting homage to the seven-string Brazilian guitar he played so masterfully.

Egberto Gismonti is one of today’s best-known Brazilian musicians. His combination of Brazilian popular music forms mixed with improvisation have brought Gismonti a wide following. He has composed a vast amount of music and Agua e Vinho (Water and Wine) is a particular favourite of mine. Gismonti has described Agua e Vinho as being inspired by the “mystery of Catholicism”, life’s basic element, a beautiful and contradictory combination.

Probably Brazil’s most famous composer is Heitor Villa-Lobos (1887-1959). His Sentimental Melody was written for the film Green Mansions in 1957. Its haunting lyricism recalls the spirit and inventiveness of some of his Bachianas Brasilieras. It is here brilliantly arranged for guitar by the Brazilian guitarist, Carlos Barbosa-Lima.

Ronaldo Miranda was born in Rio de Janeiro in 1948. An extremely talented composer, Appassionata is his only composition for guitar to date. It is a virtuoso work filled with large passionate gestures, moments of melancholic reflection and lush harmonies.

It must finally be added that it was very hard to choose repertoire for this disc. There are so many other wonderful and important Brazilian composers with lovely pieces that it would have been good to have included. Nevertheless the present recording may at least serve to whet the listener’s appetite for further investigation into the sensual and beautiful sound world of Brazilian music.

Graham Anthony Devine

I would like to dedicate this recording to my family and all my friends in Brazil. Special thanks to Alun Morgan, and also to Stuart Blagden for his dedication to Brazilian music and help with music scores.

Comment '2'
  • 고정석 2004.04.02 14:05 (*.92.51.58)
    요즘은 남미 작곡가의 레파토리가 많이 나오네요.
  • 770 2008.05.14 17:06 (*.207.255.44)
    최근에 즐겨듣는 음반입니다. 연주도 아주 만족스럽네요.
    추천합니다.
?

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