Music Master Classes 2002
in chronological order

Guitar  1 JUL / 27 JUL  OSCAR GHIGLIA  
Violin  4 JUL / 24 JUL
25 JUL / 14 AUG  GIULIANO CARMIGNOLA
BORIS BELKIN  
Viola  4 JUL / 16 JUL
31 JUL / 10 AUG  KIM KASHKASHIAN  
JURIJ BASHMET  
Singing  5 JUL / 31 JUL
19 AUG / 31 AUG  SHIRLEY VERRETT
RAINA KABAIVANSKA  
Violoncello  8 JUL / 24 JUL
29 JUL / 14 AUG  ALAIN MEUNIER
ANTONIO MENESES  
Clarinet  15 JUL / 10 AUG  ANTONY PAY  
Orchestral conducting
15 JUL / 30 JUL


31 JUL / 24 AUG
LOTHAR ZAGROSEK
Camerata Strumentale "Città di Prato"
YURI AHRONOVITCH
Festival Orchestra of Sofia  
Composition
22 JUL / 27 JUL
5 AUG / 10 AUG

29 JUL / 10 AUG  AZIO CORGHI


Workroom exercises with resident musicians  
Flute  22 JUL / 3 AUG  PATRICK GALLOIS  
Piano  29 JUL / 14 AUG
19 AUG / 31 AUG  MICHELE CAMPANELLA
JOAQUIN ACHUCARRO  
Chamber music for piano and string instruments  29 JUL / 13 AUG
TRIO DI TRIESTE
DARIO DE ROSA
RENATO ZANETTOVICH

String quartet  5 AUG / 24 AUG  PIERO FARULLI  
Harpsichord  19 AUG / 31 AUG  CHRISTOPHE ROUSSET  







Seminars 2002

Piano  1 JUL / 9 JUL
24 JUL / 2 AUG  BRUNO CANINO
MAURIZIO POLLINI  
Film music composition    8 JUL / 13 JUL LUIS BACALOV  
Composition  29 JUL / 31 JUL
8 AUG / 10 AUG  SALVATORE SCIARRINO
MAURICIO KAGEL  
Flute  19 AUG / 24 AUG  EMMANUEL PAHUD  
Guitar  21 AUG / 29 AUG  ELIOT FISK  







ASSISTANT INSTRUCTORS
PIANO ACCOMPANISTS
Composition  
Sonia Bergamasco (actress-singer) /  Marco Ortolani (clarinet) / Donato De Sena (trumpet) / Maurizio Ben Omar (percussion instruments) / Sergio De Simone (piano) / Francesco Scagliola (sound direction and live electronics)  Singing
Ulla Casalini




Orchestral conducting
Alessandro De Marchi / Marco Rapetti / Alipi Naydenov (permanent conductor of the Festival Orchestra of Sofia)  Clarinet
Leonardo Bartelloni

String quartet
Andrea Nannoni  Flute
Luigi Pecchia / Francesca Carta  
   Viola
Folco Vichi / Mikhail Muntjan  
   Violin
Yasuyo Yano / Folco Vichi  
   Violoncello  
Michela Paldi / Dianella Bisello  




      


  

                                                Speciale Opera Course 2002

                                                            Artistic supervision
                         Zubin Mehta, Bruno Bartoletti, Cesare Mazzonis, Aldo Bennici

                                                                        Instructors
                    Bernadette Manca di Nissa, Alessandro Corbelli, Raina Kabaivanska

  



For further information:
Accademia Musicale Chigiana
via di Città, 89
53100 Siena
tel. 057722091
fax 0577288124
e-mail: accademia.chigiana@chigiana.it


Chigiana instructors


JOAQUIN ACHUCARRO
  Gold medal winner at the Geneva International Competition and first-prize winner at the Liverpool International Competition, he currently performs throughout the world, both in solo recitals and with orchestras. He is also a dedicated instructor, and holds master classes both in Europe and in the United States. In 1999 Unesco named him "Artist for Peace".



YURI AHRONOVITCH
  Born in Leningrad, he graduated in orchestral conducting in 1954 at the Leningrad Conservatory, a student of Kurt Sanderling and Nathan Rachlin.
He immediately began conducting the major Russian orchestras: Leningrad Philharmonic, the Bolshoy and Radio Moscow, where he worked as Chief Conductor from 1964 to 1971. He immigrated to Israel in 1972. Since then he has been the guest of the most important orchestras, including the London Symphony, the Israel Philharmonic,  the New York Philharmonic, the Vienna Symphonic, the Scala, the Orchestre de Paris and many others. From 1975 to 1986 he was Chief Conductor of the Philharmonic Orchestra of Cologne and from 1982 to 1987 of the Philharmonic Orchestra of Stockholm.
He is also extremely active as an opera conductor (Chicago, the main Italian opera houses, Stockholm, London, Munich, etc.). He is the winner of numerous prizes and awards. He has been the guest of many international festivals.


LUIS BACALOV
  Born in Buenos Aires, he studied piano and composition in his native country. Since the Seventies he has been extremely active as a film music composer, particularly in France and in Italy, where he has worked together with directors such as Lattuada, Damiani, Scola, Petri, Wertmüller, Pasolini, Fellini, Rosi and Redford. Numerous his prizes and nominations, from the David of Donatello to the Golden Globe of the foreign press in Italy and the Bafta prize of the British press, from the Silver Ribbon to the Oscar, which have made his sound tracks famous throughout the world.
He also carries out an intense activity as pianist and orchestra conductor, with a repertoire that – besides traditional and contemporary literature – favors Latin-American authors and his own works as well.



JURIJ BASHMET
  Winner in 1975 of the second prize at the Munich International Competition, he is today one of the world's most highly renowned violists. In 1984 he founded the Moscow Soloists' Orchestra, with which he appears in the double role of conductor and solo violist. He teaches at the Moscow Conservatory.


BORIS BELKIN
  Winner of the national competition for Soviet violinists in 1972, he has enjoyed a brilliant international career since 1974 as both soloist and chamber musician, working together with such conductors as Mehta, Bernstein, Maazel, Ashkenazy and Muti.


MICHELE CAMPANELLA
  Winner of the Grand Prix du Disque of the "F.Liszt" Academy in Budapest in 1976, 1977 and 1998 thanks to his particular qualities as a Lisztian virtuoso and interpreter, he has since then turned his attention with the same success to the most important reference points in piano literature. He also conducts the master courses in Ravello of which he is founder.




BRUNO CANINO
  A piano student of Maestros Vitale and Calace, he studied composition with Bruno Bettinelli and graduated from the Conservatory of Milan, where he taught principal piano for 24 years. An active soloist and chamber music member in the main European centers, in Japan, and in the U.S.A., he performs together with such illustrious instrumentalists as Salvatore Accardo, Lynn Harrel, Uto Ughi, Viktoria Mullova, Itzhak Perlman and others. Master of a vast repertoire, as is witness the large number of his recordings, he has dedicated himself particularly to contemporary music. In this field he works together with such performers as Pierre Boulez, Luciano Berio, Karl-Heinz Stockhausen, György Ligeti, Bruno Maderna, Luigi Nono, and Sylvano Bussotti, often performing the premieres of their compositions.


GIULIANO CARMIGNOLA
  Born in Treviso, he began his studies with his father and continued them with Luigi Ferro at the Conservatory of Venice. He attended master classes at the Accademia Chigiana with Franco Gulli and Nathan Milstein and at the Conservatory of Geneva with Henryk Szeryng. After various successes in national and international competitions, he began his soloist career with important orchestras and conductors.  He is considered one of the major interpreters of eighteenth century Italian music. He is currently teaching at the Musikhochschule of Zurich. Since 1999 he has recorded exclusively for Sony Classical.


AZIO CORGHI
  Composer, musicologist and teacher. The catalogue of his works, represented and performed in the most prestigious international theaters and concert halls, includes compositions for musical theater and for ballet, as well as for various formations of vocal and instrumental ensembles. He has often availed himself of the collaboration of José Saramago for his opera texts.  


PIERO FARULLI
  A passionate instructor and internationally famous violist, he was a member of the Quartetto Italiano for thirty years, contributing greatly to the success of the ensemble. He has also collaborated with the Trio di Trieste and the Quartetto Amadeus, and is the artistic director and teacher of the Music School of Fiesole.


ELIOT FISK
  Born in Philadelphia, a music graduate of Yale University, he met Andrés Segovia in 1974 and became his pupil, considered by him “one of the most brilliant, intelligent and gifted young musicians of our times.” The combination of his musicality and his impeccable technique has elevated the classical guitar to a new dimension, encouraging many composers to write for him. His repertoire is boundless, starting from Renaissance and Baroque music and arriving up to our own times.


PATRICK GALLOIS
  He belongs to the young generation of French musicians recognized throughout Europe. Formerly first flute in the Philharmonic Orchestra of Lille and in the National Orchestra of France, in 1984 he began an international soloist career, which has taken him over all Europe, to North America and to the Far East. Since 1991 he has recorded exclusively for Deutsche Grammophon.


OSCAR GHIGLIA
  An ideal continuer of Segovia's teachings and a top level international concert performer, he has also acquired a large-scale reputation in the field of higher education. He is, in fact, a professor at Hartford and teaches advanced master classes at the Conservatory of Basel. He also holds innumerable master classes throughout the world..


RAINA KABAIVANSKA
  Born in Bulgary, she moved to Italy in 1958, debuting there three years later at the Scala in Milan. Since then she has become one of the most celebrated singers, with a repertoire ranging from Verdi to Puccini, from Wagner to Cilea, from Donizetti to Tchaikovsky, from Strauss to Zandonai. The number of prizes with which her prestigious career is studded is truly vast, and includes the "Bellini" in 1965 and the "Lorenzo il Magnifico" in 1990. The unvaried enthusiasm of critical acclaim and her public's appreciation have conferred upon this singer and on her royal presence the title "heroine of the melodramma".



MAURICIO KAGEL
  Born in Buenos Aires, he studied piano, violoncello, organ, orchestral conducting and composition, attending at the same time courses in literature and philosophy at the university. Besides his active involvement as an organizer (in 1954 he founded the chamber orchestra of the Colón Theater), he made a successful composing debut at the beginning of the 1950’s. His experimental nature led him to teach summer courses in Darmstadt from 1960 to 1966, and he has continued his teaching activity in numerous cities throughout the world.


KIM KASHKASHIAN
  Born in Detroit, of Armenian origin, she studied with Walter Trampler and has won numerous contests. A regular guest of the festivals of Salzburg, Spoleto and Marlboro, she has established a vast concert career both as soloist and as a member of chamber orchestras. She has worked together with the most important contemporary composers, from Penderecki to Gubaidulina, contributing to the increase of the repertoire for viola. In addition, she has acquired important teaching experience at the Mannes College of Bloomington and at the Musikhochschule and the Eisler Hochschule of Berlin.



ANTONIO MENESES
   Born in Rio de Janeiro, the 1977 winner of the Munich International Competition and the 1982 first prize and gold medal winner of the Moscow “Tchaikovsky” Competition, he performs regularly with the most famous orchestras and the most prestigious conductors in the world. He has made a vast number of recordings, including such notable ones as the Brahms double concerto for violin and violoncello with Anne-Sophie Mutter and an edition of Don Quixote by Richard Strauss conducted by Herbert von Karajan. He teaches at the Conservatory of Basel. He is returning to Siena after having taught a course in 1997.


ALAIN MEUNIER
  He completed his musical studies at the Paris Superior Conservatory, entering at once upon an intense concert career. Since 1964 he has been a faithful associate of the Accademia Chigiana, first as a student, later as a member of the Chigiana quintet and sextet, and finally as an instructor. A regular guest of the most important European and American concert societies, both as soloist and with ensembles, he embraces a vast repertoire ranging from Bach to our own times,  An impressive number of compositions by contemporary musicians have been dedicated to him. Accomplished teacher, he holds master classes both in Italy and abroad.


EMMANUEL PAHUD
  Born in Geneva, he graduated from the National Music Conservatory of Paris in 1990 and continued his studies with Aurèle Nicolet. He has won numerous prizes in important competitions, including that of Geneva in 1992. At the age of twenty-two, he became first flute in the Berlin Philharmonic directed by Claudio Abbado, after having held the same position in the Munich Philharmonic under Sergiu Celibidache. He holds concerts throughout the world as a soloist, both with full orchestras and in chamber music groups. His recordings with Emi are noteworthy and have been awarded prizes on several occasions.


ANTONY PAY
  Principal clarinettist in the Royal Philharmonic Orchestra, the London Sinfonietta (of which he is also a founding member), the Academy of St.Martin-in-the-Fields and the Academy of Ancient Music, he has also been a member of various chamber ensembles. At present his principal activity is that of soloist and orchestra conductor. He currently teaches at the Accademia Perosi in Biella.




MAURIZIO POLLINI
  Born in Milan in 1942, he achieved great fame on winning the first prize in the Warsaw Chopin Contest in 1960. Following a period of withdrawal and reflection, he dedicated himself to concert activity, soon becoming one of the most renowned pianists in the world and taking part in all the major international music events. His vast recording activity has been rewarded with numerous prizes.
Pollini returns to Siena in the role of instructor after the crowded lessons of last year.


CHRISTOPHE ROUSSET
  Born in Avignon, he developed his interest in the harpsichord at the Paris Schola Cantorum, where he won an honorable mention, graduating later from the Conservatory of The Hague. He has dedicated himself to an international career, appearing as soloist and with ensembles such as the Academy of Ancient Music, Musica Antiqua of Cologne and la Petite Bande. His recording of Rameau's Harpsichord Pieces won the Gramophone Award in 1992. In 1991 he formed the ensemble "Les Talens Lyriques", with which he has performed a vast repertoire.



SALVATORE SCIARRINO
  Salvatore Sciarrino has going through a particular reflowering of new works,  recordings, prestigious executions. Born in Palermo in 1947, he began composing in 1959. First public concert, 1962. He leaves his native city for good in 1969. Winner of numerous prizes, between 1978 and 1980 Sciarrino was Artistic Director of the Teatro Comunale of Bologna. He has written masses of literary texts. At times with quite scaled-down means, his music produces direct-contact listening and strong emotionality. For that reason it would be difficult to set his figure in perspective without in some way taking it back to the birth of present-day ecological consciousness: thus his anti-academic open-mindedness towards perceptional mechanisms and towards the complex nature of the real becomes comprehensible.


TRIO DI TRIESTE
  Founded in 1933, this ensemble has carried out its activity without interruption for half a century in all the countries of the world, and has received numerous international prizes and awards. Apart from the years of teaching experience of each of its members, the Trio holds master classes at the Music School of Fiesole and at the International Higher School for Chamber Music in Duino (Trieste).


SHIRLEY VERRETT
  A singer of international prestige, she is highly appreciated in the field of opera for her expertise in interpreting dramatic soprano and mezzo-soprano roles, among which are those of Tosca, Carmen, Lady Macbeth, Amneris, Norma and Cassandra. An interpreter of lieder as well, she has been the guest of the most important opera theatres of the world - from the Bolshoy to the Paris Opéra, from the Scala to Covent Garden - as well as at the major international festivals. In 1990 she began teaching for the first time during the Easter Seminars at the Accademia Chigiana, and she has taught for several years at the music department of the University of Michigan.


LOTHAR ZAGROSEK
  Born in Bavaria, he has a vast experience in numerous European opera houses, such as the Vienna Opera, the Hamburg Opera, the Deutsche Oper of Berlin, the Monnaie of Brussels, etc. He has conducted at the most important festivals, from Salzburg to the Wiener Festwochen, from the Berliner Festwochen to the London Proms.
In addition to his activity as an opera conductor, he has worked together with the most important orchestras, from the Leipzig Gewandhaus to the Munich Philharmonic, from the Montreal Symphony Orchestra to the Berlin Philharmonic.
Since 1997 he has been musical director of the Stuttgart Opera, a theater awarded the title of “Opera House of the Year” in 1998, 1999 and 2000.
His recordings are highly valued, many of them having won awards such as the Edison Prize and the Deutscher Schallplattenpreis.


APPLICATION AND ATTENDANCE



  Students attending the "Accademia Musicale Chigiana", who are divided into Active students and Auditors, are subject to the following regulations:

Active students
  Active students must hold an Italian music diploma or an equivalent foreign certificate (with the exception of Guitar, Singing and Orchestral conducting Courses) and pass an entrance examination at the Chigiana to be taken on the first day of the Course. The application form must reach the Academy with the required documents and the payment of the Application and examination fee by the following dates:


May 15 for the Orchestral Conducting Course;
May 31 for the Composition Course;
June 10 for all the other Courses.

  Active students are not admitted to the same Course for more than four years and are not allowed to attend more than two classes or Seminars simultaneously.

  Age limits for Active students are specified in the paragraph regarding each Course or Seminar. An exception to this limit is foreseen only for groups that can demonstrate they have been together for at least three years.

  Candidates must therefore enclose along with the application form the photocopy of a personal document showing the date of birth. Without this document the enrolment application will be rejected. The age limit is applicable the first year of attendance; it may be waived for three further years, providing they are consecutive to the first one. On the back of the application form candidates shall indicate:

A) the pieces they intend to perform at the entrance examination;
B) the pieces they wish to study during the Course;
C) for the Singing Course: voice range;
for the Chamber Music Course: instrument (in case of groups, family name and instrument of each member);

  Candidates must also be in possession of the scores of all the mentioned pieces.

  Ensemble members are required to be in possession of both scores and parts of all the pieces needed by the group.

  Candidates who do not pass the entrance examination as active students may attend the lessons as Auditors, after fulfilling the necessary formalities at the Secretary's office.

  Active students who - according to the evaluation of the respective instructor and of the Artistic Director of the Academy - excel particularly during the Courses will have the opportunity of being called to the attention of the most important concert institutions in Italy, as well as being inserted in the winter concert season of the Academy.

Auditors

  No particular qualifications are necessary for registration; only the application form is required (there is no deadline for its presentation), together with payment of the auditor's fee in euros.

N.B. Entrance to the Academy is allowed only on presentation of a special ID card, issued by the Secretary's Office, which also allows free entrance to the final concerts of all the Chigiana Courses.

Students must therefore provide a photograph.

Attendance certificates and diplomas
  All Active students who have attended lessons regularly will be granted attendance certificates. Diplomas of Merit or Honour may also be granted.

Entrance tickets for the Academy concerts
  All Academy students (both Active students and Auditors), upon showing their student identification cards, will be admitted free of charge to the Final Class Concerts and will be entitled to price reductions for tickets to other Chigiana concerts. For these concerts, a limited number of complimentary tickets will be available to Active students only. These tickets must be requested and reserved beforehand in the Secretary's office.

N.B. In case of disagreement on the interpretation of translation, the Italian text will be decisive.

      
    



FEES

  All fees must be paid in the exact amount requested in Italian currency or in euros. Any exchange expenses or bank commissions will be charged in full to the student.

  Application and examination fee

  This fee must be sent to the Secretary's Office of the Academy together with the application form, indicating on the special form the details of the payment made by postal money order (either from Italy or abroad), on which the student must write his name and the Course for which he is applying. In case of delay, payment for the Course must in any case arrive at least 21 days before the entrance examination for which it is due.

  Otherwise the application will be rejected.

  N.B. Any application and examination fees which have been sent but not used because of the student's absence will be refunded (after detraction of expenses) at the end of the Summer teaching activity, provided a written request is made by the parties concerned. The refund request must reach the Academy not later than November 30th of the year in question.


  Attendance fee for Active students

  This fee must be paid before the beginning of the lessons. It is to be paid in its entirety and cannot be refunded if the candidate stops attendance on his own initiative. In case a scholarship is later awarded, the already paid fee will be refunded in proportion.


  Attendance fee for Auditors

  This fee permits auditing of lessons in the chosen Course, and may be reduced for limited attendance periods. However, it cannot be refunded in case the student interrupts attendance on his own initiative. Those wishing to attend lessons occasionally may purchase one-day tickets.
The sale of entrance tickets is however subject to the capacity of the cassrooms. The direction reserves the right to suspend without notice the sale of tickets in the event that the excessive number of visitors interferes with the lessons or poses a security problem.


Reductions in the Attendance fee for Active students
  The following (non accumulable) reductions are allowed:

60% for attendance of a second Course (*);

45% for members of Ensembles who can demonstrate (by submitting programs of concerts they have given) a concert activity of at least one year;

33% for holders of scholarships expressly awarded by the Italian Government to attend master classes at the "Accademia Chigiana".  
(*) A "second Course" is considered one in a different subject which starts later or a Seminar in the same subject taken together with the main Course.


Exemptions
Exemptions from fees are granted in the following cases:

Application and examination fee

-- to active students of Courses for solo instruments who also wish to attend the Chamber Music Courses accepting single instrumentalists;
-- to active students of Courses or Seminars  in the same instrument held by different instructors, for which payment of only one application and examination fee is required.


Attendance fee

- to active students of Courses for solo instruments who also wish to attend those Chamber Music Courses which accept single instrumentalists;
- to holders of scholarships awarded by the "Accademia Chigiana".
  N.B. In case of disagreement on the interpretation of translation, the Italian text will apply.

Table of  fees...    
    



Entrance examinations


  Entrance examinations for the Courses or Seminars will be held at the "Accademia Musicale Chigiana" on days previously fixed as indicated in the paragraph relative to each Course or Seminar.

  Candidates must adhere to the program fixed for the Course and be in possession of the music they wish to perform.

  The only students exempted from the entrance examination are Active students already accepted for solo instrument Courses who also wish to attend Chamber Music Courses accepting single instrumentalists.

  Auditors are not allowed to attend entrance examinations






Scholarships



  The Accademia Chigiana finances with its own funds - for a total amount of approximately  ? 52.000,00  - a certain number of scholarships for attending Courses. Candidates enrolled as active students may compete by making a written justified request to do so and including it with their application form. These scholarships will be granted after a merit classification and will consist of a daily grant of  ? 20,00, in addition to a refund of the paid tuition fees (after detraction of the added value tax).

  Each instructor will be free to decide the moment of awarding the scholarships: either at the beginning of the Course, on the basis of the results of the entrance examinations, or at the end of the Course, in consideration of the student's merit. No scholarships will be granted to students already benefiting from financial help from other institutions or to those who do not take the entrance examination on the established date.

  Active students may hold only one scholarship, even if they attend two Courses at the same time.

   No scholarships are foreseen for attendance of Seminars.

  The scholarships listed below are financed by public institutions or private donors (for whom they are named) and are awarded at the discretion of the "Accademia Chigiana":

"Carlo Corsini"
(donor "Rotary International", District 2070 and Rotary Foundation)
one scholarship for the sum of ? 2.070,00  reserved for Alain Meunier's 2002 Violoncello Course.
The scholarship will be awarded according to the merit list based on the results of the entrance examinations to be passed at the beginning of the Course.

"Emma Contestabile"
scholarships for the amount of ? 20.000,00 (from Mrs Contestabile's bequest in favour of the Accademia Chigiana to be allocated for scholarships for the attendance to the summer masterclasses); scholarships for the amount of  ? 30.000,00 (from Mrs Contestabile's bequest in favour of the Accademia Chigiana to be allocated for extraordinary scholarships).


  Other scholarships

  A scholarship financed with funds of the "Accademia Chigiana" is offered to one of the winners of the International Singing Competition "Francisco Viñas"(on the Jury's recommendation); the amount of this scholarship cannot be higher than that awarded to the active students of the Singing master class.

  A collaboration agreement exists between the Accademia Musicale Chigiana and the Okinawa International Music Festival to foster the exchange of students between the two institutions. The terms of the cooperation will be fixed year by year.

  The Italian government also finances scholarships for attendance of summer master classes at the Accademia Chigiana. For details of requirements and application formalities, candidates should write directly to the Italian Culture Institute or to the Italian Embassy in their own country.

  N.B. Scholarships will be paid at the end of the relative Courses only after communication to the Secretary's Office of the student's tax code (to be given at the moment of the awarding) and after signature of the relative receipt.

  In case of disagreement on the interpretation of translation, the Italian text will apply.







Useful information

Regulations for foreigners' stay in Italy



  Each student is required to take out a health insurance policy or provide a consular statement of his right to medical assistance on the basis of the right to assistance deriving from international agreements and present himself to the Foreign Department of the Police headquarters (Questura) within eight days of his entry in Italy to obtain the required residence permit for the purpose of studying.

PIANOS
  A limited number of pianos are available for students' use - with precedence given to Active Students of the Courses for piano or chamber music with piano - both on the Academy premises and outside the Academy.
To rent pianos for personal use in students' own lodgings in Siena please apply to:



Firm A.Olmi, via Banchi di Sopra 49, 53100 Siena, tel. 0577 47190;
Firm G.G.Checcacci, via C.Battisti 10, 53100 Siena, tel. 0577 44521.
LODGING
For lodging in Siena, please write directly to the following addresses:



for private accomodation:
Siena APT (Agenzia per il Turismo di Siena)
Piazza del Campo 56, 53100 Siena
tel. 0577 280551 fax 0577 270676

for boarding-houses and hotels
Cooperativa Siena Hotels  Promotion
piazza S.Domenico 1, 53100 Siena
tel. 0577 288084
fax 0577 280290
E-mail: info@hotelsiena.com
www.hotelsiena.com
for private accomodation, farm holidays and residences
Protur
via Mattioli 9/C, 53100 Siena
tel. 0577 45900 - fax 0577 283145




Courses in Italian language and culture

For information please write directly to:


Università per Stranieri di Siena
Students' Secretariat
via Pantaneto 45 - 53100 Siena
tel. 0577 240346 fax 0577 283163
E-mail: petrioli@unistrasi.it

Piccola Università della Lingua italiana
Centro Studi Dante
via S. Martino 29,- 53100 Siena
tel. e fax 0577 44568
E-mail: centrostudi.sm@tiscalinet.it
  Special Courses in libretto reading and analysis are held for musicians of the "Accademia Chigiana" and are specially recommended for singers and conductors.

* 쎄쎄님에 의해서 게시물 이동되었습니다 (2002-08-08 15:52)