2001.10.01 21:36
양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나?
(*.170.206.44) 조회 수 5685 댓글 5
My Guitar
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
Many people are curious about which guitars I have used. So I would like to share my stories here with ones who interested in.
The very first guitar I played was a small size guitar. It was RMB20(1US$ to RMB8.70), steel stringed. Before that I even didn't know what the guitar looks like.
Soon after my parents bought me a "better" guitar. It cost RMB30.00 and equipped with a pick guard and still steel stringed. In fact, I didn't have any idea about the different between nylon and steel string at that time.
One year after, my teacher allowed me to use the guitar belongs to my primary school. It worth RMB60 and installed with nylon like string. (In the meantime I also played acoustic electric and electric guitar in our guitar group and ensemble.)
All the guitars seemed cannot match my progress of playing quickly. So my parent used their savings to bought me a new nylon string guitar when I was nine or so, which cost them RMB90. My parents' monthly income was RMB60.00 at that time, so I thought it was so "expensive" and so "good".
In fact I didn't know that whether or not it was genuine nylon string as it was just colored and wounded on the 1st, 2nd & 3rd strings. No one had ever told me that I should have my nails to play a nylon string guitar until I attended an American Guitarist's master class in 1986 (I cannot remember his name anymore). After the class he gave me a set of nylon string.
'1987, I got my first foreign guitar during the 1st China guitar festival. It's a "Pepe" children guitar from Aria, Mr. Kohno brought it for me from Japan. A Spanish guitarist (he was one of the performer for the festival, unfortunately I cannot remember his name) who wanted to sponsor me a guitar. So five months after, Spanish Ambassador organized an event of complimenting me a concert guitar. It had been really helpful for me.
'1989, Mr. Kohno heard my playing again in Tokyo. This kind luthier brought me to his studio and picked the guitar (Cedar and Jacaranda) that I like and gave it to me. This Kohno guitar had accompanied me for 5 years. Recently I played it again and still find it's sound is so sweet.
'1994 or so, a friend presents me a lovely German guitar (Mario Gropp, Spruce & Jacaranda).
'1995, I got another guitar (Cedar and Indian Rosewood) from a Hong Kong luthier as compliment. Surprise? Yes! This Hong Kong guitar maker is quite shy, he doesn't want me to mention his name. It is a really beautiful guitar. John Williams described that "Oh, this guitar can singing." I played it for concerts and records many times.
At the same year, lucky me got the precious Smallman guitar from John Williams. He left it to his friend in Hong Kong after his concert and asked him to bring it to me. I had been playing it with a very special feeling.
Since then, I began to know how much a good guitar (or a guitar that match with your playing) can improve your music! Smallman guitar keeping make me feel that there are numerous room waiting for me to explore the music, I can use my full force to express it.
'1997, I bought an Antonio Raya Pardo (Spruce and Jacaranda) from my teacher. It is a very sensitive guitar.
'1999, Mr. Ricky Cheow from Hong Kong lent me a '1997 Smallman guitar. He's such a warm man he even brought his valuable Romanillo (Once belonged to Julian Bream, Pine & Indian) to Beijing for my first CD. I was very impressed with this pretty guitar. It has such a delicate and rich sound.
'2000, I bought my '2000 Smallman, which is the fourth Smallman guitar with armrest. It is extremely suits me, I love it so much.
I had also ever played Antonio Marin Mondero, Herman Hauser, etc. They are all very good guitar.
I believe it is not always necessary to play a very famous or expensive guitar. The one that match with your playing is probably the secret to release your potential.
For me I just regard my guitar as my lover, then we can make beautiful music together!
Probably I will get a new Smallman guitar soon.
?
String
I often get strings from people as compliment.
I had employed D'Addario, Savarez, Augustine, Hanabach, Lisa, etc.
They are all quite good; depend on playing style and the guitar to be installed on.
Since I have my '2000 Smallman, after trying out many different strings. I only use D'Addario J46 or J46LP now.
I have become one of the endorsee of D'Addario since 2001.
?
This page is still under construction, more new material will be added here soon.
양쉐페이홈에서 퍼온글입니다.
기타연주가 좋으니까 참으로 많은분들이 기타를 마구 주는군요....
좋은기타를 구하는 좋은 방법은 연주가 멋지면 돼겠군...헐...
번호 | 제목 | 글쓴이 | 날짜 | 조회 수 |
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434 |
앞판사진
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일랴나 | 2000.12.28 | 4414 |
433 | 앞판에 붙은 부챗살의 갯수는 몇개가 이상적일까여? | 형서기 | 2001.01.15 | 5198 |
432 | 앞판은 세상에서 가장연한 나무로 그리고 옆판과 뒤판은 대리석을 얇게 짤라서.... 1 | 명노창 | 2000.08.05 | 6036 |
431 |
앞판을 교체하는 작업
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수 | 2020.04.17 | 4600 |
430 |
앞판이 깨지면
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수 | 2022.09.04 | 2331 |
429 | 앞판칠을 셸락으로 바꾸면? 4 | 으랏차차 | 2002.04.17 | 5422 |
428 | 앰프 꽂을 수 있는 클래식 기타.. | 궁금 | 2003.06.25 | 5394 |
427 |
야간 쉘락칠
1 ![]() |
gdream7 | 2005.12.24 | 5435 |
426 | 야광기타. | 귀똘이 | 2000.06.09 | 4725 |
425 | 야마하 Grand Concert 41 모델 아시는 분 계세요? 5 | ㅁㅁ | 2010.02.25 | 11241 |
424 |
야마하 대나무 기타..
2 ![]() |
고정욱 | 2002.04.19 | 7816 |
423 | 야마하 싸일런트 기타 SLG-100N 샀습니다 2 | 구멍맨 | 2006.06.24 | 7680 |
422 |
야쉘락
2 ![]() |
gdream7 | 2005.12.24 | 5561 |
421 | 야이리 기타를 구입했어요^^* 4 | 욱이 | 2002.02.07 | 6212 |
420 | 야이리 기타를 사려고 하는데요.. 3 | 욱이 | 2002.02.01 | 6070 |
419 | 야이리기타 14 | Gdream7 | 2005.04.09 | 9338 |
» | 양쉐페이....그녀에게 누가 그렇게 많은기타를 주었나? 5 | 지방맨. | 2001.10.01 | 5685 |
417 |
어떤 기타가 잘 만든 기타인가요?
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금모래 | 2020.05.01 | 5307 |
416 | 어떤걸 사야하나? | 이병훈 | 2000.07.21 | 5662 |
415 | 어린이용 기타 | 마~당발 | 2001.03.03 | 4373 |
414 | 어린이용 기타아 | 문병준 | 2001.03.02 | 4141 |
413 | 어린칭구가 연주할 기타는 얼마나 작아야죠? | 김종표 | 2001.03.02 | 4226 |
412 | 어제 미제 GSP하이텐션 기타줄을 몇벌 구했습니다. | 명노창 | 2000.10.03 | 4946 |
411 | 어찌야쓰까이잉~ 7 | 멋쟁이 | 2001.05.23 | 4344 |
410 |
어쿠스틱 포트와 험프리라이징보드넥
5 ![]() |
sangsik | 2003.05.04 | 7117 |
409 | 얼마전 100호기타를 구입했는데... 18 | 렐리우스 | 2001.07.09 | 4515 |
408 | 엄씨 가문의 기타에 관한 냉철한 평을 부탁드립니다. 15 | 남경민 | 2001.05.02 | 5539 |
407 | 엄태흥님과 엄태창님의 관계는? | 으랏차차 | 2001.02.02 | 5006 |
406 | 엇..옥용수님 기타만들기입문 .....다시올려주세요.(영문번역도있었는데) 3 | 수 | 2004.04.22 | 5109 |
405 | 에~~~ 미워요.. | 김현영 | 2000.10.29 | 4815 |
404 |
에르고 플레이 고무압착기 오래 쓰는 방법
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403 | 여기에는 여러가지 이유가 있을 수 있습니다만... | 미니압바 | 2001.01.29 | 4262 |
402 |
여러번 감으면
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수 | 2022.09.15 | 2162 |
401 | 여름철 기타 관리 요령... 1 | 木香 | 2002.03.23 | 6111 |
400 | 여태본 굴비중 가장 깨끗한 굴비당. | 관식 | 2000.10.11 | 5222 |
399 | 역시 내가 원하는 악기도... | 泳瑞父 | 2000.08.25 | 4479 |
398 | 연이은질문]Paul Fischer에 대해... | 형서기 | 2000.10.21 | 4179 |
397 | 연주시의 기타 지지도구(Guitar Supporting System) | 신정하 | 2002.02.21 | 5802 |
396 |
연주자를 쏙 빼닮는 악기.
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콩쥐 | 2006.02.28 | 9188 |
395 |
연주자의 악기
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394 |
연주자의 기타
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393 | 연주자의 기타. 2 | 콩쥐 | 2005.11.18 | 5735 |
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391 | 연주회합니다~ 3 | 정호중 | 2001.04.14 | 4326 |
390 | 예민한 기타? 멍청한 기타? 7 | 뽀짱 | 2001.12.08 | 6063 |
389 | 예쁜소리는 예쁜손톱에서 나온다(손톱다듬기 강의) 2 | 박카노 | 2020.08.04 | 4691 |
388 | 오늘 쳐본 60년도 프리드리히 2 | hesed | 2003.06.26 | 5224 |
387 |
오래된 기타 새로 칠하기
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수 | 2020.07.09 | 4188 |
386 |
오래된 기타 구경하세요~
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수육 | 2007.12.16 | 9746 |
385 | 오래된 스푸르스,3000년 | 수 | 2020.10.04 | 4433 |
384 |
오른손연습용 기타
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382 | 오옷...드디어... | 형서기 | 2001.02.19 | 4287 |
381 | 오일바니쉬... 4 | 다울랜드.. | 2012.04.25 | 15548 |
380 | 오호...갔다가 왔군... | 형서기 | 2000.08.03 | 5084 |
379 | 오호? | 형서기 | 2000.09.30 | 4750 |
378 | 오홍.... | 형서기 | 2000.07.10 | 5737 |
377 | 옻나무에선 옻칠이... | 수 | 2001.02.18 | 4547 |
376 | 와그너와의 대담. | 수 | 2017.04.20 | 5213 |
375 | 왜 4번줄만 끊어지는가? 8 | 돌빈대 | 2012.06.15 | 19568 |
374 | 왜 기타가 깨질까 | 방가방가 | 2001.07.02 | 4572 |
373 | 왜 로즈우드는 그렇게 기름기가 많은가? 1 | 수 | 2001.07.19 | 5529 |
372 | 왜 일본에는 그토록 기타 인구가 많나요? | 스기 | 2001.01.28 | 4597 |
371 |
왜?
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쏠레아 | 2010.03.07 | 13279 |
370 | 외국기타의 주문방법좀 가르쳐 주셔요, | 간절한 | 2000.11.11 | 4245 |
369 | 왼손가락 장애 입니다 | 이영남 | 2001.01.27 | 4463 |
368 | 왼손가락 중지가 문제라면... | 수 | 2001.01.27 | 4379 |
367 | 왼손편한기타 6 | 두식이네 | 2009.06.01 | 9381 |
366 | 요즘 중고기타가격이.... 3 | 매냐 | 2003.07.19 | 6157 |
365 | 요즘은 장마철이라 습도가 높져... 1 | 수 | 2001.07.02 | 4214 |
364 |
우레탄칠 질문드릴께요!
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김영규 | 2008.01.08 | 7171 |
363 | 우리나라 나무로 기타제작 시도해보신분.. 13 | 강나루 | 2006.05.05 | 9391 |
362 | 우리나라 나무사정 | 스기 | 2001.02.01 | 4879 |
361 | 우리나라 아열대기후로 바뀐거 맞나봐여. 10 | 콩쥐 | 2007.11.02 | 6529 |
360 | 우와...좋은아이디어 생각났어요.... 16 | 수 | 2006.03.04 | 6027 |
359 |
울동네서 발견한 기타에이드
22 ![]() |
수 | 2006.12.06 | 7135 |
358 |
울림구멍...(포트)...
6 ![]() |
나래지기 | 2003.12.08 | 6488 |
357 | 울림통 이야기. 2 | 쏠레아 | 2008.08.21 | 9238 |
356 | 울림통? 공명통? 어느 것이 맞습니까? 24 | 쏠레아 | 2008.09.07 | 8124 |
355 |
울프톤 이해를 돕기 위한 그림입니다 ^^
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EchoOff | 2009.05.12 | 14173 |
354 | 웅수엉아 봐주십시요 | 이영남 | 2001.01.27 | 4329 |
353 | 웅수엉아...과연 우리나라에서 기타를 처음제작하신분은 누구일까요? | 명노창 | 2000.12.25 | 5998 |
352 | 원목구성과 소리의 관계에 대한 가르침 원합니다 7 | superman | 2007.09.17 | 6410 |
351 | 원하는 줄만 골라서 눌러주는 Capo 소개합니다. 2 | 사꼬™ | 2008.09.30 | 7267 |
350 | 위의 글들을 읽으니 저도 기타를 만들어보고 싶네요... | 김웅찬 | 2000.11.01 | 5135 |
349 | 유명악기에 대한 평이 엇갈리는건... 1 | 수 | 2001.04.09 | 4289 |
348 | 으....이번 여름에 어딜 가야 되는고얌... | 형서기 | 2001.02.23 | 4713 |
347 | 으라차차님 기타는 더 좋아질거예요. 2 | 수 | 2001.05.19 | 4406 |
346 | 으미~ 기타는 어케 만드는쥐요? | 김현영 | 2000.10.29 | 4998 |
345 | 으하하하 기타 새로 샀는데요 정말 좋아미치겠어요 2 | 송호연 | 2004.07.12 | 6442 |
344 | 윽! 이것을 어찌 짜집기 할꼬? | TORRES | 2000.09.02 | 4627 |
343 | 음량의 이중성. | 개풀 | 2000.08.18 | 4554 |
342 | 음량의 이중성. | sophia | 2000.08.18 | 5347 |
341 |
음반 표지 소개.
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눈물반짝 | 2001.04.30 | 5132 |
340 | 음의 분리도와 원달성 8 | 쏠레아 | 2008.09.08 | 8377 |
339 | 음정에 관해 | 개풀 | 2000.09.13 | 5045 |
338 | 음질의 이중성. 1 | 날카론시각. | 2001.08.27 | 4220 |
337 | 이 따스한 가을 햇살 1 | 작업초보 | 2002.10.10 | 5381 |
336 |
이거이 뭐하는데 쓰는 물건인공???
10 ![]() |
쏠레아 | 2006.12.17 | 7972 |
335 |
이게 바로..중국제 스몰맨 카피 기타..!
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으랏차차 | 2001.02.21 | 5681 |
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